Archive film scanning for 16mm, 35mm and Super 8
Bring a large film collection into a planned scanning workflow. Analogue Image works with motion-picture material in London, using the same processing, scanning and cleaning equipment as On8mil. A useful archive enquiry starts with what you hold, what condition it is in and how you intend to use the digital files.
Request an archive estimate ยท Discuss your collection
Identify the collection before choosing a scan
List the reel references, gauges, estimated footage and known material types: negative, reversal or print. Record labels and existing catalogue information. Flag unidentified or fragile reels for discussion rather than opening or running them solely to identify the contents.
For larger collections, identify priority reels and the desired order of work. Discuss whether a representative test or first batch would help confirm the specification before the rest of the collection proceeds.
16mm archive scanning
A 16mm archive scan can be made on our Lasergraphics Archivist at resolutions up to 5K. The appropriate settings and framing depend on the element and the intended use. Include any sound requirement and known condition concerns in the brief so they can be assessed separately.
35mm archive scanning
Our 35mm scanning equipment is a Blackmagic Cintel, offering 4K scans. Tell us the type of element and any known format, base or condition information. If material is unidentified, damaged or suspected to be nitrate, contact the lab before transport; acceptance and a suitable handling route need to be confirmed first.
Super 8 archive scanning
A Super 8 archive scan uses our small-gauge workflow with the Film Fabriek Mueller HDS+, at resolutions up to 4K. Mixed collections may also contain Double 8, Double Super 8 or 9.5mm material. Include the gauges you know and flag reels whose format is uncertain.
Cleaning, preparation and restoration
We offer film cleaning using a Cintech Hydra film cleaner. Film condition determines what preparation is appropriate. Discuss splices, leader, cleaning and any requested digital restoration as part of the quotation; do not assume every reel requires or includes the same treatment.
Scanning creates a digital record of the images on the film. It does not by itself repair the original material or guarantee recovery of every damaged frame. Agree whether the desired result is a faithful scan, a viewing copy, a graded version or additional restoration work.
Specify useful digital deliveries
State the purpose of the files: research access, editing, exhibition or preservation. Agree the resolution, framing, colour treatment, format, reel naming and delivery method before work begins. For an institutional brief, include any required metadata, checksum or preservation specification for the lab to review rather than assuming these are standard deliverables.
Keep an inventory connecting every original reel to its digital files. Plan storage and backups, and agree the return or collection of the original film. A download link is a transfer method, not a long-term archive.
Request an archive assessment
Send the reel count, formats, approximate footage, known condition issues and intended outcome through our detailed quote form. If the collection needs discussion first, contact the lab before sending it. See our film lab services for the full equipment overview.
Our film knowledge base covers reel inventories, condition notes, scanning specifications, staged delivery and backups. Explore format-specific guidance for 16mm, 35mm and Super 8 film.